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Shakespe atomic number 18 uses the antics of Oberon and hockey puck at the forefront of this comedy, using the succus to bring forth everyone fall in admire, however they slide due to their arrogance as Oberon vaguely describes Demerits by by the Athenian garwork forcets he hath on. The iambic meter indicates these char performers atomic number 18 mightful, yet their actions be unintelligent the plan of incompetent leadership is a pleasing stereotype, frequently used in salient comedy. Here, however, the joke is vexatious power, or sort of who we give power to, as Shakespeare portrays Oberon as using his power recklessly.The reason Oberon and Puck start squeezing the juice on the commit it awayrs is that the character overheard A sweet Athenian girl and a disdainful younker, and so, in the guise of trying to function them, he creates havoc. Borons aid, however, is a facade he only desires bind he agnises that Demerits doesnt love Helena back, and so he interferes. Th is mental berth reflects that of the Queens court as Louis Monitors puts it, Queen Elizabeth Xis marital status and her sexual condition were matters of the realm, reflected when Oberon plans to put the juice on titanic so that she renders her page to him.Oberon and Puck, thitherfore, are shown as metaphors for the male Elizabethan p fanny on where the men knew everything close the Queen and time-tested to control her in format to fulfill their interests they tried to force her into getting get married, and reproducing in order for the country to have an heir, honourable as Oberon tried to force Titanic to undersurfaceortment her mind when she defies him saying the coffin nail estate buys not the infant off me.Ultimately, despite Titanics rebellion, she straight away gave the changeling child to Oberon because he bitipulates her with he juice, rendering her love an ass this is comedic, especially when the character awakens and worries about being ena muchd to an ass n. The fact that it was the fairy queen to whom this occurred is signififannyt as this terminus was often a metaphorical eccentric to Queen Elizabeth in Renaissance literature.The juice is typic of ultimate patriarchal power however, in reality there is no juice to make the Queen repay and produce an heir for the State. Shakespeare and then is mocking State power as they can never obtain their desires because for once there was a ruler who resisted male authority. The state besides is shown by means of Oberon and this reference to an ass may actually be a reference to Oberon- whom is the one who has acted truly the ass and has Titanics love- and so the state itself.This male desire for power in seen, moreover, in the illness at the start of the play in Shakespearean portrayal of the relationship betwixt Hermit and Segues in regard to her woof of economize. Segues believes this hath bewitched the bosom of my daughter Shakespeare refers to black lovage here as this, dehumi difying the character and therefore highlighting the Segues has towards black lovage. Segues wants to dispose of his daughter to her oddment because she chooses someone other than who he wants a seeming betrayal.Segues parental constraint mirrors the expectations Elizabethan parents had for their children, leading to the 1 753 The Hardwired Act which void any marriages of people under 21 or if parental/ guardian concur was not granted 1 753 was later on the play was written demonstrating the dangerous legacy patriarchal Elizabethan England left. Segues also does not refer to Hemi by name through this passage, instead only using pronouns such(prenominal) as her, yet, the men are named doubly in it.This highlights the misogyny as the men, unconnected Women, are worthy of name- even Alexander who Was previously simply a this. The anonymity inflicted on Hermit reflects the fact that sooner the 1 7th century married females had no second enamel , evince the fact that she was lo wer than men and just a possession of either her husband or father, as seen as Segues claims Hermit is tap. Moreover, the idea of a Helena, a love-struck teenager, by-line her love who has rejected her is funny, until Demerits threatens to do thee impishness n the woods.The imperative highlights how big(p) this character is, and therefore- because Demerits represents a sort of Everyman- is symbolic of the threatening disposition of man, a nature also seen in the forcefulness of Oberon. This shooter takes place on the outskirts of the green knowledge domain (the forest) and so in a limbo among reality, sensuality and disorder we dont know what is possible here therefore do Demerits even more dangerous and gum olibanum amplifying the danger of his, and every mans, authority in this world, as we can see by Borons greater power. This scene betweenDemerits and Helena also emphasizes inequality he threatens this terrible act because a female character is stubble him for love, w hile he does the same to another(prenominal). This is ironical and paradoxical, making us question the attitudes Demerits represents it would pop out that it is fine for a bold man to stalk someone because they are- as Dorothy Leigh says- amongst the sharp, while when a woman is hard other women Will blush at their boldness2. The motif of rape appears symbolically when Oberon plans to manipulate Demerits, Alexander and Titanic when they are unaware at the eight vulnerability and exposure.Oberon attacks them with the juice, thus taking away their bequeath and dignity, in its place leaving distress- as a rape would do. In this case, Borons metaphorical actions are tearing apart the double chromatic of Hermit and Helena, striping their symbolic sisterhood to a union in division. However, this violent authority was not odd in the 17th century, and neither was it a crime that was prosecuted. It was a popular attitude that women were objects of beauty and obedience, as shown in pr ohibitionist Faustus.Faustus just wants a where wife, or an whoremonger of Helen of Troy, neither of whom had free will, and although these two plays are of opposite genres, the aggression towards women is seen in two. This shows how it is not only the genre of dramatic comedy, but renaissance theatre in familiar which holds a mirror to the darker issues of the day. Misogyny is yet seen at the start of the play where Theses claims to have won thy heart doing mirthfully injury, the connotations here of fury reflect the patriarchal period of the play.This is emphasizes because Theses took gayly from a injunction matriarchal Amazonian cultivation to one where she is objectified as nothing more than a prize (coven thy ) implying that this love between them is not what it appeared to be, but is actually another example of male control. As Alison Plowmen explains, aught had any objections to love as eagle-eyed as the price was right Theses will gain status and the potential fo r an heir. Contrastingly, Happily loses her independence and Persephone, thus foregrounding the both the literal and symbolic battle of the sexes throughout the play due to the male coercion.